Straight lines, the absence of extravagance and her well thought-out choice of colors for each of her paintings make for a cohesive body of abstracts that are nothing like the work of her female contemporaries.
Taking a photo is more about the choice that leads to the content of the frame than the final result. And Mann’s choices are radical and captivating.
Let’s call it the summer edition, shall we?
Since the first installment of films worth watching, this second part was long overdue.